Video Animation for the new campaign of NYeC
Client: New York eHealth Collaborative
Animation by Isabelle Duverger
Music Editing by Laia Cabrera
Laia Cabrera and Co. laiacabrera.com/company
The Patient Portal for New Yorkers will allow patients simple, secure online access to their personal health information, via the Statewide Health Information Network of New York (SHIN-NY). Currently, only providers can access this network, but this is about to change.
Similarly to the way online banking works, the patient portal will
permit you to review the details of your own health records and medical
history, empowering you to take charge of your health. As with secure
online banking, your healthcare records are highly protected, and only
available to be viewed by you, and the healthcare providers (or family
members) to whom you grant consent.
“Consent” is the term used to describe giving formal access to
someone to view your healthcare data. You can consent to allow a
hospital access to your records, or just your primary care physician,
family members, specialists, etc. You can add consents or revoke them at
any time, via the patient portal website.
An additional security measure is built into the retrieval of your
health records which exceeds the security of online banking: When you
log on to the portal, you can see a list of every person who has
accessed your records. This way, you have full control, not only of your
records, but of who else has viewed them.
Official Poster for the play Jollification | Mortification
A theatrical collage on missed connections, hysteria and mortality.
Jollification | Mortification invites characters from previous New Stage productions to join in a playful night that continues the provocative, expansive conversation on modernity, mortality, morality and the self that New Stage has established with its audience over the past ten years. Taking a tragicomic perspective on what it means to be true to the self, and what the consequences of such honesty can be, the show examines the feelings of shame, doubt, and exhilaration that come with running afoul of norms and expectations.
Illustration and Poster designed by Isabelle Duverger (original idea by Ildiko Nemeth and Fabiyan Pemble-Belkin)
Directed by Ildiko Nemeth Stage Design by Ildiko Nemeth Lighting Design by Federico Restrepo Costume Design by Brandon Olson Sound Engineering by Gideon Grossman Music Selection by Ildiko Nemeth Set Construction by Jeff Hermanski and Fabiyan Pemble-Belkin
Cast: Brandon Olson*, Chris Tanner, Markus Hirnigel*, Kaylin Lee
Clinton, Sarah Lemp, Dana Boll, Catherine Correa, Jeanne Lauren Smith,
Denice Kondik, Valerie Miller, Lisa Kathryn Hokans, Galway McCullough,
Adam Boncz (*These Actors are appearing courtesy of Actors’ Equity Association)
Principal Administrator: Fabiyan Pemble-Belkin
Jollification | Mortification is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
This program is supported, in part, by public funds from the New York
City Department of Cultural Affairs in partnership with the City
Council.
February 24 at 6pm CPR - Center for Performance Research 361 Manhattan Avenue, Brooklyn Tickets: $10 in advance or at the door
Conceived and directed by Maria Litvan
Performed by Catherine Correa and Francisco Reyes Music Design by Nana Simopoulos Drawing by Isabelle Duverger Video projections by Laia Cabrera & Co.
Prologue is a tribute to French philosopher, mystic, and social
activist Simone Weil (1909- 1943). Simone Weil, described by Albert
Camus as “the only great spirit of our times” and by Susan Sontag as
“one of the most uncompromising and troubling witnesses to the modern
travail of the spirit.” Weil had an extraordinary capacity to dwell
within highly philosophical and metaphysical thought, while still
emphasizing the importance of embodied experience. She realized that in
order to theorize about the working-class, one had to experience their
reality firsthand. Thus, despite her poor health conditions, she left
her teaching position to work in a factory. Weil’s passionate nature
also drove her to participate in many of the political affairs of her
time. She confronted Trotsky, fought in the Spanish Civil war,
participated in the French Resistance… But, even more unusual for a
leftist intellectual of her time, Weil’s interests increasingly focused
on religion and mysticism.
Most of Simone Weil’s writings are
annotations of thoughts following her own mental associations, thus
reading them is like entering directly into Weil’s stream of
consciousness. Inspired by her writings, Prologue is a composition of
moments – snapshots into Weil’s life and thought. It is an invitation to
enter her world from a personal and sensorial experience.
Simultaneously, as an actor prepares to interpret Simone Weil, Prologue
reflects on the mystical and artistic processes, and the important role
of the invisible in the construction of meaning.